something's begun
art by megan gendell
February 5, 2009
when i was beginning to conceive of this trapeze piece at the end of december 08, i made a list of my goals.

unusual transitions/drops
more postmodern than classical circus; tricks invisible
easy and joy, flow; light, sweeping, free
include tricks i want to show off
air, openness, space
repetitive patterns

i also made a list of tricks i wanted to include. the final piece includes very few of the orginally listed tricks, but meets all of my goals (as far as i can tell from my perspective), even though i haven’t looked back at that list all month. i feel immensely satisfied about this.
last week, watching a video of myself rehearsing the piece, i thought maybe it was about uncertainty, exploration, hesitance. i’m in an uncertain, exploratory phase in my life right now, so that made sense. but today i realized that over the past week my movements have become much more sure. even though the choreography still hints at indecision, when i move i feel a sense of ease and grandness. first i thought i had accidentally gone in the wrong direction over the past week, and then i realized i’d arrived right where i’d planned to be. ease, joy, flow. running the piece feels good. it feels like dancing.
i conceived of this piece on a formal level and i’m still not sure what it is on a human, emotional level. i think that even without my having a specific intention there, it is something. it’s me being human on a trapeze; there’s no way for it to be emotionally blank. but what is it? am i okay with not knowing? will i find out once i perform it? is there perhaps value to not knowing — allowing the peice to be free to  resonate however it may with each individual?

when i was beginning to conceive of this trapeze piece at the end of december 08, i made a list of my goals.

  1. unusual transitions/drops
  2. more postmodern than classical circus; tricks invisible
  3. easy and joy, flow; light, sweeping, free
  4. include tricks i want to show off
  5. air, openness, space
  6. repetitive patterns

i also made a list of tricks i wanted to include. the final piece includes very few of the orginally listed tricks, but meets all of my goals (as far as i can tell from my perspective), even though i haven’t looked back at that list all month. i feel immensely satisfied about this.

last week, watching a video of myself rehearsing the piece, i thought maybe it was about uncertainty, exploration, hesitance. i’m in an uncertain, exploratory phase in my life right now, so that made sense. but today i realized that over the past week my movements have become much more sure. even though the choreography still hints at indecision, when i move i feel a sense of ease and grandness. first i thought i had accidentally gone in the wrong direction over the past week, and then i realized i’d arrived right where i’d planned to be. ease, joy, flow. running the piece feels good. it feels like dancing.

i conceived of this piece on a formal level and i’m still not sure what it is on a human, emotional level. i think that even without my having a specific intention there, it is something. it’s me being human on a trapeze; there’s no way for it to be emotionally blank. but what is it? am i okay with not knowing? will i find out once i perform it? is there perhaps value to not knowing — allowing the peice to be free to  resonate however it may with each individual?